Deep Background
From Mac OS/X
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Use when: |
Your page layout has strong visual elements
(text blocks, groups of controls, windows, etc.) and it
isn't very dense or busy.
You want the page to look distinctive and attractive;
you may have a visual branding strategy in mind.
You'd like to use something more interesting than
flat white or gray for the page background.
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Why: |
Backgrounds that have soft focus, color gradients, and
other distance cues appear to recede behind the more
sharply-defined content in front of it. The content thus
seems to "float" in front of the background. A strong
figure/ground effect is accomplished by this pseudo-3D
look -- it attracts the viewer's eye to the content.
Fancy explanations aside, it just looks good.
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How: |
Use a background that has one or more of these
characteristics:
- Soft focus. Keep lines fuzzy and make sure
that there's not much small detail -- sharp lines
will interfere with readability of the content
atop it, especially if that content is text.
(You can kind of get away with sharp lines if they
are low-contrast, but even then, text doesn't
work well over them.)
- Color gradients. Bright, saturated colors are OK,
but again, hard lines between them are not. Allow colors
to blend into each other. In fact, if you don't have
an image to use in the background, you can create a
simple color gradient in your favorite drawing tool
-- it's still better-looking than a flat color!
Pure gradients don't need to be stored
or downloaded as images, either. On the Web, they
can be created by repeating one-pixel-wide strips;
in systems where code can be used to generate large
areas of color, gradients are generally easy to
program.
- Depth cues. Fuzzy detail and distance-like
color gradients are two features that tell our
visual systems about distance. Others include
texture gradients (features that get smaller as they
get farther away) and lines radiating from vanishing
points.
- No strong focal points. The background
shouldn't compete with the content for the
user's attention. Diffuse focal points can work,
but be careful that they contribute to a balanced
composition on the whole page, rather than
distracting the viewer from seeing the parts of
the page they should be looking at instead.
As you design a UI with a Deep Background, consider what
happens when the user changes the size of the page. How will
the background accommodate a larger (or smaller) size? Will
it rescale to fit, or will the window just clip
an unscaled image? The latter is probably less unsettling to
the user; it's how most Web pages behave, and it feels more
stable. (Besides, you don't have to worry about changing
aspect ratios, which is problematic with images that look
even a little bit representational.)
Drop shadows are often seen in conjunction with Deep
Backgrounds. They, too, contribute to a pseudo-3D look.
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Examples: |
From Netscape 7
This example shows the use of a gradient behind the UI controls
of a desktop application. The cylindrical gradient works with
other visual features -- barely-visible drop shadows, contouring
around the bottom buttons, even the shading in the etched line
containing the Search box -- to create a finished "two-and-a-half-D"
look.
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From http://starbucks.com/ongoodgrounds/, courtesy
of Communication Arts Interactive Annual
In both of these examples, a subtle image is used as the background.
Notice that the detail in the second one is washed out behind the
text; this not only makes the text easier to read, but it also calls
attention to it by surrounding it with "white space."
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